This week I had to pleasure of visiting Montclair State University for a reading session of Miguel Bolivar’s Concertino for alto saxophone and wind ensemble. Years in the making, it was incredibly to finally play through all three movements with a full ensemble. Congrats to Miguel on a fantastic piece and a huge thanks to conductor Thomas McCauley and the Montclair State University Wind Symphony!
Tomorrow I’ll be joining ensemble mise-en for their Open Studios event, jam packed with electroacoustic works. I’ll be performaning Christopher Poovey’s Dripstone for baritone saxophone and electronics.
Bushwick Open Studios at MISE-EN_PLACE
Saturday, September 23 @ 5:00pm
MISE-EN_PLACE Bushwick – 678 Hart St, New York, NY
Details at their Facebook event
On Sept 8 I had the pleasure of producing/performing in another fantastic Con Vivo Music concert: Art Politic. The concert was a program of modern chamber music composed in response to sociopolitical issues, including the Attica Prison rebellion, murder rates in Chicago, the Iraq War, a letter by J.S. Bach to his city council, and what it means to be an American. We had a unique 8-person ensemble of voice, violin, cello, saxophone, guitar, bass, keyboard, and percussion.
Staged in the Council Chambers of Jersey City’s City Hall, this concert featured Frederic Rzewski’s Coming Together, a minimalist beat-driven composition that sets text from a letter by Sam Melville in May of 1971. Melville was a prisoner at the Attica Correctional Facility in Attica, New York. His letter talks of “the inevitable direction of [his] life”, hinting at things to come. In September of 1971, the Attica Prison rebellion took place, where 1,0000 prisoners took control of the prison, held staff hostage, and demanded better living conditions and political rights. After four days of negotiation (with some demands met), the state police took control of the prison, resulting in at least 43 deaths, including that of Sam Melville.
Paired alongside the Rzewski was the world premiere of Kevin Clark’s Census Americans, a new piece inspired by Coming Together. Census Americans has an ever-changing text, gathered live during the performance from the twitter bot Census Americans, which tweets descriptions of real Americans every hour using U.S. Census Bureau data. The musical material draws on protest songs written by labor activist Joe Hill, and the structure of Rzewski’s Coming Together. This combination of descriptions of modern Americans and protest song reminds us that a key part of what it means to be American is to constantly strive for positive change.
Friday, 10pm – Fox and Crow in Jersey City
Sitting in for the first time with punk-jazz group Joy on Fire, founded by my friend Anna Meadors! Picture from rehearsal above.
Saturday, 8pm – SOB’s in SoHo (NYC)
It’s been a few years, so I’m pumped to play another gig with Zozo Afrobeat!
On June 2 New Thread Quartet is premiering our next big project: Not Less Than the Good. This 60-minute piece is written by David Morneau for the bicentennial of Henry David Thoreau’s birth. Not Less Than the Good is an hour-long musical sunrise, simulated by combining the meditative playing of the saxophone quartet with ambient synthesizers, field recordings of early morning hours at Walden Pond, and excerpts from Walden – a secular prayer of hope for enlightenment – performed by poet J. D. McClatchy.
Not Less Than the Good
for saxophone quartet, synthesizer, recorded sounds, and narration
performed by New Thread Quartet, David Morneau (synthesizer), and J.D. McClatchy (pre-recorded narration)
June 2, 7:30pm at The Morgan Library in New York City